Instead of an arboretum of indigenous flora as at Pedreres de s'Hostal, for this copper mine in Western Australia, how about an extraterrestrial garden of phytoremediating plants, both the unmodified and the genetically modified kinds, with gorgeously red- and orange-hued pools of metal-eating microogranisms?
Or you plant this ecosystem in all the disused open pits everywhere except here, where you merely design a circulation system interspersed with “educational signs” and some observation platforms — a masterpiece of topographical mapping, pictorial analysis and narrative making? Or you can scratch all that, and the only intervention you do involves installing a marker near the entrance, for instance, a cairn. How about Las Vegas neon marquee because beyond lies a terrestrial extravaganza? What routes people take inside will be up to them.
Or how about just a set of coordinate rendered perfectly on Google Maps' well-designed web interface? Should anyone want to visit the mine, at least they know where it is on the surface of the earth.
This is “Chicago”, the fake Arab town built by Israel in the middle of the Negev desert to train its military forces in urban warfare.
Though artificial, our hometown's dessicated twin is “highly realistic.” Adam Broomberg and Oliver Chanarin, whose photographs of “Chicago” are collected in this book and are replicated here, wrote: “To create this alternative universe, Palestinian architecture has been carefully scrutinized. Roads and alleyways have been constructed to mimic the layout of towns like Ramallah and Nablus. In one corner the ground has been covered in sand, a reference to unpaved refugee camps like Jenin. Graffiti has been applied to the walls with obscure declarations in Arabic: 'I love you Ruby' and 'Red ash, hot as blood'. Burned-out vehicles line the streets.”
Perhaps more interesting than its spatial “authenticity” is the fact that the “history” of this ghost town “directly mirrors the history of the Palestinian conflict.”
The first and second Intifada, the Gaza withdrawl, an attempted assassination of Saddam Hussein, the Battle of Falluja; almost every one of Israel's major military tactics in the Middle East over the past three decades was performed in advance here.
This is where generations of Israeli soldiers rehearse over and over again like actors in a Hollywood studio set. Here, with props on hand or littered about, they perfect their stage presence, try out some new moves and hand gestures, and fine tune their dialogues in front of cardboard cutouts of generic terrorists. Here also, they practice their showstopper: walking through walls. And then it's time to step out in front of live television cameras, the whole world already a captive audience, to play out their well-choreographed routines.
Meanwhile, “Chicago” is so named because its bullet-ridden fake walls apparently recall the punctured real walls of Al Capone's Chicago. While still acknowledging the dizzying complexity of Arab-Israeli relations, one wonders if a small yet meaningful step towards lasting peace could be taken if, on Israel's side, it stops vicariously engaging with the Palestinians in secret, replicant cities after first exorcising this mythological, gangster-infested Chicago from their collective memory and replace it with something real and true?
Not everyone was a mobster then, the same way not everyone offered something to our former governor for Obama's senate seat. The same way not all Palestinians are terrorists.
In any case, should the ultranationalist Avigdor Lieberman and his party's racist ideology get their way in a ruling coalition with Benjamin Netanyahu, and all Israeli-Arabs get expelled from Israel, their homes and cities dismantled and resettled over, at least part of their history, albeit one written by others, has been recorded for future archaeologists to study.
Using their brand of computational algorithm and other tried and true methodologies, EcoLogicStudio dives into masterplanning on a regional scale in rural Disez, Senegal.
One component of their scheme is an algae farm deployed “in the confluence of vegetated ridges and flood plain toporegions” resulting in a visually compelling, vineyard-like organization. This is where renewable energy is produced and the location of a “research center on bioenergies and training facilities for locals.”
No one wants to think about shit and the act of shitting. When we go, we want it out of sight and out mind as fast as we can quickly flush, for to linger longer than is socially acceptable could be a sign of an atavistic pathology. However, should an alien happen to drop by and see how much energy, time and resources we spend just on our sewers, it might think we are absolutely obsessed with our excrement. It would be right, of course.
We propose, then, a zine about this all too important biological process. Provisionally titled BUTT, it will collect any and all investigations into the myriad ways scatology is spatialized. Many will keep on regurgitating promotional materials like those automatically archived on dezeenbut not BUTT. Everyone will talk about Daniel Libeskind but not BUTT. It's the contrarian preposition.
Any proposal that sets out to rethink urban sewer systems, regardless of quality, will always be a featured content, and realized projects that address the sanitation needs of the other 90% will be automatically accepted for publication.
Published as well would be field reports from guided tours of municipal wastewater treatment plants, for instance, the world's largest located right on the periphery of Chicago, and also from illegal urban explorations of subterranean drainscapes.
A lucky freelancer would be sent off to Dubai to see if the beaches around the fourty-three-star Burj Al Arab hotel are still noxious with illegally dumped human waste. He'll probably write that it's actually clean but only because there aren't much sewage around to be spilt, as everyone has left. If the miniscule budget allows, another freelancer would be assigned to get an update on Zimbabwe's cholera epidemic and the Gaza Sewage Flood of 2007.
It'll be the infrastructural porn rag for the hipster design crowd, always mistakenly shelved in the fetish section, along with the German scheiße bestsellers, of your nearest independent bookstore.
Urban Battery, by MOS, was the winning entry in last year's Flip a Strip competition, which challenged entrants to rethink and redesign the strip malls of Arizona. In response, the designers offered an “off-the-grid power station, vertical greenhouse and a billboard all at once.”
It's the unabashedly longitudinal literally flipped up.
Largely leaving the strip mall intact, MOS concentrated on the parking lot, wherein stands a “300’ by 300’ lightweight structure support[ing] a series of thin glass channels housing a network of pipes, tubes, and algae to produce filtered, clean air and gases for biofuel. A system of wind turbines generates electricity supporting the activities of the strip mall and the surrounding neighborhood. It dispenses electricity through wind turbines, breezes and healthy air offsetting the effects of Scottsdale Road and the parking.”
The team noted that the Scottsdale competition site “lacks any healthy urban infrastructures, no community centers, no pools, no green space, it's a dead quadrant.” To offset this, MOS added public and semi-public spaces underneath this vertical aquarium that would be used for dancing, yoga and other forms of physical activity. Additionally, these spaces are connected to other vertical gardens at other strip malls via bike and walking paths.
All put together, then, here is an urban infrastructure meant to counter the effects of obesity, pollution and urban sprawl.
Meanwhile, could you pixelate those algae-filled tubes — that is, make them chromatically flicker either by chemical means or through changes in light filtration and salinity or some heretofore unknown method &dmash; so that you could make an avant-garde movie (or an animated billboard ad) to be shown for spectators parked in their cars on the parking lot or for motorists navigating through the urban flatscape?
While the science, technology and economics of turning algae into biofuel needs further research and refinement, that hasn't stopped designers from dreaming up projects using this new energy source as a point of departure in formal and systems experiments. We have been collecting many such projects over the past years and now would like to present some of the better ones to our readers in a series of posts. They vary in scales, deployment, logistics and context, so there should be something for everyone. Do take what you want from them.
We start with something regular readers will no doubt have seen before, from a year ago. The project is called DripFeed, the winning entry from architects Thomas Raynaud and Cyrille Berger for the 2G Competition Venice Lagoon Park.
According to Raynaud and Berger:
Our project for the urban park of Sacca San Mattia consists of reinvesting the island in a Venetian, multi-functional approach to urban planning, in the context of an enlarged metropolitan, tourist centre. The Drip Feed project on the Island of Sacca San Mattia puts into place an above-ground ulva rigida cultivation device that is in keeping with the Greenfuel system. A saprophyte structure that ingests polluted waste from local industry, and conceptually redefines the lagoon’s future water level, without harming the natural state of the island.
In other words, algae from the lagoon will be harvested and “farmed” inside bioreactor tubings filled with water taken also from the lagoon.
This process of cultivation would produce the biofuel for the lagoon's transportation and somewhat incredibly, seaweed to feed the tourists. One other byproduct is oxygen, which would be used to reduce the eutrophication of the lagoon caused by industrial run-off. Supposedly, then, one would have to be careful not to reduce it too much or else a new source of algae would have to be found.
Since Venice is “codified as a city-diversion,” Ranaud and Berger wanted to program this site of production into a site of consumption as well. The tubes are arrayed trellis-like. Above and below this emerald ground plane are spaces for activities, for instance, outdoor concerts and camping.
Of course, the entire structure itself would be an attraction, an engineering marvel equal to the Renaissance churches and palazzos just across the lagoon. In fact, if the duo had followed the contours of the hills or better yet, sculpted some imaginary landforms into the structure, it might even compete with the sagging San Marco.
How about recreating the skyline of La Serenissima?
During aqua alta, unlucky tourists will rent gondolas and vaporetti to sail underneath striated onion domes and bulbous, vegetal skies, bathed in modulated light and shadows.
Until its time to eat an overpriced seaweed à la carte menu.
