“There are too many Grand Canyons,” declared Lucy Lippard. “There is the place itself and its staggering geography—the rims, the river in the Inner Gorge, the maze of side canyons, mesas, plateaus, forests, arroyos, vegetation and wildlife, and all those hoodoos, columns and spires (so-called by 19th-century devotees of the Church of the Wilderness). There is the no-nonsense (and topographically nonsensical) governmental gridding of ungriddable lands as the frontier fell away. There are the variously perceived canyons through which flow the never-ending verbiage that attempts but never succeeds in seeing, let alone describing, this sight of sights. And at a deeper level, there are the interpreted canyons, the contested canyons. From these emerge our individual and collective psyches, reflected in the geographies of national history and personal experience. The abysses are epitomized by fundamentally divergent views of place and nature expressed by the Canyon’s Native peoples and by the ruling ethics of the National Park and Forest Services, themselves often at loggerheads.” And now, to add to its “macro-microcosmic multiplicity” that “staggers retina and rhetoric,” this gorgeous spectrally lit 3D view from the South Rim. Georgia O'Keefe spaceborne with an Advanced Spaceborne Thermal Emission and Reflection Radiometer.
Grand Canyon: The Creationist Tour
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